14 May 2012

Unseen Narratives: The TEDSalon in London

Books, film, art, food — and science and social issues — were at the center of the talks at the sixth TEDSalon in London. The event took place on May 10 in a packed Unicorn Theatre, with the support of longtime TED partner frog.

“Our bodies are made of atoms, but our lives are made of stories”, host and TEDGlobal curator Bruno Giussani said, introducing the event’s theme: “Unseen Narratives.” We are our stories, he suggested, our memories, desires, passions, dramas. Stories are what our imagination projects, what our creativity produces, what helps us to make sense of the world and relate to others. And an eclectic set of little-known stories the Salon presented.

The evening started with a sharp talk about the million children who live in orphanages in Eastern Europe and Central Asia. Georgette Mulheir, CEO of nonprofit Lumos, told how behind each of them “there is a story of desperate parents who feel that they have run out of options” and explained the huge emotional, developmental and economic cost of separating children from families. Mulheir’s groundbreaking work focuses on helping governments from Eastern Europe to Sudan reform systems, close down orphanages, and set up alternative services reuniting children with families or foster care. When they started, more than 200,000 children were in orphanages in Romania; now there are fewer than 10,000. “This is one form of child abuse that can be eradicated in our lifetime.”

Another story of youth and growing up, but of a radically different kind, was told by movie director Beeban Kidron. She’s a co-founder of Filmclub, one of the largest after-school organizations in the UK. She beautifully narrated a film she made specially for the TEDSalon, a story about the power of stories and creating a common narrative and about the transformational power of film. “If we want different values,” she said, “we have to tell a different story. Or, as a 12-year-old said after watching The Wizard of Oz, ‘every person should watch this movie, because unless you do, you may not know that you too have a heart.’”

David Battistella, another filmmaker, followed his heart from Canada to Florence when he fell in love with the story of the Florence Dome and Filippo Brunelleschi’s Renaissance struggle to build it. “Everything that went into building the Cupola went into building the modern world,” he said in a powerful talk, and then went on to describe inventions, designs, technologies — and the power of human ingenuity.

Choreograher Jasmin Vardimon, whose eponymous company is in residence at contemporary dance powerhouse Sadler’s Wells in London, brought a sequence of her piece “Yesterday” to the Salon. In it dancer Aoi Nakamura, tracked by a camera, simply and hauntingly traced maps on her skin, representing the physical memories that are stored in our bodies rather than in our minds.

Stem cell pioneer Pete Coffey was next, leader of the London Project. Fifteen years after stem cells were isolated for the first time, the first real clinical trials using stem cells are now taking place. Research carried out by Coffey and his team has shown that stem-cell therapy can halt the course of a common form of blindness (AMD, or age-related macular degeneration) and possibly restore sight. Coffey made both a scientifically and economically convincing case for this therapy.

Communication entrepreneur Laura Galloway told a tale of “genetic tourism”: presented with a DNA test kit, she found to her surprise that she’s genetically related to the Sami people, the last remaining indigenous people of Northern Europe, who inhabit large portions of northern Sweden, Norway, Finland and a corner of Russia. Galloway’s experience with Arctic farmers’ markets, festivals and the Sami led her to suggest that genetics may bring us increasingly in contact with our “original sources.” “Everyone belongs somewhere,” she said. “You have a tribe. DNA is your birthright.”

The first session was closed by three science comedians. The Festival of the Spoken Nerd, comprising Helen Arney, Matt Parker and Steve Mould (it’s them in the photo), examined the ubiquitous barcode — a hilarious and informative story of lasers and math and of a piece of technology that’s so embedded in our lifes that we dont’ notice it anymore.

There are many places where we can find hidden stories. Author Tracy Chevalier opened the second session by sharing how she looks at artworks to find those narratives. She described how she came up with the story of The Girl With the Pearl Earring by interrogating Vermeer’s painting and its historical context, how Chardin’s Boy Building a House of Cards can suggest a story of two servants, and how the wistful look in the eyes of an anonymous portrait inspired in her yet another story.

From those three paintings, the Salon jumped to thousands, with Phaidon’s editorial director, Amanda Renshaw, describing the ten-year journey to curate The Art Museum, a unique and uniquely ambitious art book. The project started with a question: If you had unlimited space, unlimited budget, and access to the most important, the most beautiful and most desirable works of art from around the world, what would you put in an ideal museum? Ten years later, the result is itself a piece of art. Renshaw talked about the process, the choices, the organization of such a vast array of artworks from all around the world — from cave paintings to today’s — and the panic and joys associated with it. And at the end of her talk, one of the attendees found an envelope carefully hidden beneath their seat, and won a copy of the 992-page, 3,000-photo book.

Health practitioner, former Buddhist monk, and talented juggler Andy Puddicombe, the go-to meditation teacher for British politicians, executives and celebrities, was challenged to change the audience’s minds about meditation in 10 minutes. “When is the last time you took 10 minutes to do nothing?” he asked. He dispelled the idea that meditation involves seating in awkward positions for long periodsof time, and invited to take care of our mind, 10 minutes a day. “Our mind, the one that needs to be focused, creative and spontaneous for your to thrive, needs to be taken care of.”

British pop band Red Box was first active in the 1980s and early 1990s. Under the leadership of Simon Toulson-Clarke, it is now back on tour forging new path sand stories made of music and friendship. They played the beautiful “Brighter Blue” from their new album Plenty, and their classic “Heart of the Sun.”

Norwegian historian and economist Sturla Ellingvag told a story of pressure, transparency and dialogue. When a young Norwegian woman was brutally killed in London and her presumed murderer escaped to Yemen where he lives free, protected by his father’s wealth and connections, Ellingvag and others started a Facebook group to put pressure on multinationals to cancel their contracts with the father. 53,000 signed up, and at the end several companies withdrew their business connections with the father, because of the family’s refusal to let their son stand trial.

Tristram Stuart bounded on stage next to share his mission to expose global food waste. Stuart used nine (still good) biscuits from a small box salvaged from a bin outside a supermarket the morning of the Salon to illustrate what happens to our food and how we waste it on such a colossal and systemic scale. If 9 is our total food supply: 1 is lost before leaving the farm; 3 are used to feed livestock, but we get only 1 back; and 2 are thrown away in various ways. Food waste is colossal, and it happens for different reasons, both in developed and in emerging countries.

The closing speaker, Pam Warhurst, raised the roof of the theatre with the story of Incredible Edible. This is the story of the transformation of a “normal” market town, Todmorden, 15,000 inhabitants in the north of England, around the narrative of food. By focusing on community (turning plots of unused land into communal vegetable gardens), learning (teaching food in schools and more) and business (promoting local food), the entire town was brought into the movement, with the inclusive motto “If you eat, you are in.” It’s a powerful, inspiring story of the (real) power of small actions. Edible landscapes are now being replicated in England and around the world, from New Zealand to Chile.

Bringing the Salon to an end was a showing of a 360-degree photo of the speakers and of the audience listening, taken by British photographer Thomas Mills.

Attendees left with copies of Andy Puddicombe’s book Get Some Headspace and of frog’s design mind magazine, whose current issue is devoted to the theme of “Passion.”

A group of TED translators was in the audience and wrote their own take, while TEDster Nesta Morgan turned the event into art sketches.

(Reported by Caitlin Kraft Buchman. Photo Dafydd Jones/TED)

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12 May 2012

Reports from the road: TED Talent Search in Nairobi …

As the TED team travels around the world hosting salons in 14 cities, we’re collecting great local stories. Start with this Storify from Nanjira Sambuli that rounds up tweets from TED@Nairobi:

62% of secondary school students are reading #ShujaazFM. 'It's not about ideas,it's about how you deliver them'. @awelltoldstory this is!

—
Nanjira Sambuli (@NiNanjira) May 05, 2012

From the blog “Inflation, Stilettos, Pacifiers & An African Dream,” this generous and insightful blog post:

For 6 minutes, I learned about the bees that make it possible to have chocolate, built for pollination, and how they do it, for those minutes, I laughed and smiled, and took in the passion with which the story was told. For 6 minutes, I listened to Eric Wainana telling about finding an edge, in life, at work, in whatever it is you put your mind to. For 6 minutes, and another 6 minutes, and more 6 minutes after that, I regained an even bigger pride for Africa. If these people, who are not just beaming of great oratory skills have such passion and belief in what they are doing to make a better Africa, then the continent will change.

… and this news report from The East African:

Roll on TED. This is just the beginning.

Research: Larissa Green
Photo: What Took You So Long

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11 May 2012

Life on Mars: Fellows Friday with Angelo Vermeulen

Do you consider yourself an artist or scientist first?

I usually describe myself as an artist with a background in science, but I feel first and foremost an artist. Artist, biologist, space researcher, and TED Fellow — that’s how I describe myself now, but it changes.

It seems when people are confronted with a hybrid practice, they want to figure why. It’s not an easy question to answer. One thing crucial to everything I do is exploration. But then one might wonder, “Why don’t you just become and stay a scientist?” One thing that struck me when I was a scientist is the incredible degree of specialization needed to develop within the discipline. This is generally a good thing. But it started stifling my creativity. I felt I wasn’t using my full potential.

So I started studying photography while I was doing my PhD research in ecology. In the evenings I would be in the darkroom; in the daytime I did scientific research. During the course of that parallel practice, which lasted for quite a few years, I discovered an enormous sense of freedom that I felt was missing in my science practice. I got absorbed by arts, all arts — much more than just photography. One exhibition that really hit me in the face was the contemporary arts exhibit Documenta X, in Germany. There was a lot of documentary work, a lot of video and photography, not National Geographic style, but more radical experimental stuff. For me, this was a huge eye-opener. This was also a form of exploration: making documentary photography, using documentary video. At the same time, it involved strong artistic expression. And it didn’t have to fit into a specific, narrow framework.

After finishing my PhD I decided to dedicate myself full-time to the arts. Then, within the arts I began to incorporate biology — which finally led me to work with biological, technological, as well as social systems. Bear in mind this was all part of one organic process that is still developing.

Is this where Biomodd, your longest-running project, comes in?

Yes. I started Biomodd in 2007. The core idea of the project is to intricately interconnect a biological living system with a recycled computer system. The main reason to do this is, first of all, to show people a different relationship between computer electronics and biology. Not one of opposition – because many people think of computers in opposition to nature – but of making them work together. On the other hand, the work is very much inspired by popular culture and science-fiction themes in which living biological cells merge with electronic components.

Biomodd brings this idea into physicality as an artwork. It’s an ongoing series of computer networks assembled out of recycled components in which a living ecosystem is installed. The ecosystem uses the waste heat of the electronics to grow and develop. This was the basic, core idea. So Biomodd incorporates energy recycling, computer recycling and ecological growth. There is also a social dynamic involved: I’m not building the projects in my studio and then shipping them to a museum for exhibition. I’m going to a location, putting the idea on the table, and inviting people to work with me to find its shape. Depending on the culture we’re working in — because I’ve been doing this in many different places around the world — each Biomodd project takes its own particular shape. Sometimes, people from former Biomodd versions come over and join the new team, so you get these interesting exchanges of experience and ideas around the project.

Biomodd usually gets disassembled afterwards, and the units that have been built by the participants usually get adopted, with some pieces getting incorporated into subsequent Biomodds. So Biomodd is essentially an ongoing iteration of an idea. It’s also an open-source project, so those who want to can build and own their own versions. Biomodd just pops up in different places.

In the beginning, there was a strong focus on just energy recycling. Now the concept is much more about how to make both the living biological system and the electronic system communicate. At first, the communication only went one way: heat exchange from the computer system to the biological system. But now we’re also working on robotics. We’re also working with sensors. We’re exploring multiple ways in which both systems can really come together and start exchanging different things like data, behavior and energy.

(more…)

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10 May 2012

Watch Vidal Sassoon’s moving, funny TEDx talk

At TEDxOxford last September, legendary stylist Vidal Sassoon, who died this week at 84, shared this moving talk about his extraordinary life.

As a YouTube commenter writes: “A good way to remember this humble and inspirational man.”

Plus! See this talk (and many others from TEDxOxford) illustrated by the Livescribes, a British group of live illustrators.

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08 May 2012

Revealed! Speaker lineup for TEDGlobal 2012: Radical Openness

Today, we’re thrilled to announce the TEDGlobal 2012 speaker lineup — exploring the theme “Radical Openness.”

As the world becomes ever more interconnected, the ways we relate, the means by which we learn about one another and develop mutual understanding, and the rules about what we hide and what we share are changing. That’s the inspiration for the theme — and it’ll be explored by scientists, artists, technologists, students and visionaries from around the globe. Explore the full program guide, or scroll down for the full lineup …

TEDGlobal 2012 takes place June 25-29, 2012, in Edinburgh, Scotland — and it’s watchable around the world through the TED Live membership.

(more…)

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06 May 2012

The color of x: Seeing red in this photo set from TEDxSummit

Our pals at What Took You So Long sent over a set of treated photos from TEDxSummit with an accent on TED red … explore on our +TEDx page.

Photos by Alicia Sully, Sebastian Lindstrom and Pedro Julio Ramirez Paz.

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06 May 2012

Interesting: The languages Google Translate doesn’t translate yet

From the Atlantic, this fascinating essay on Google Translate at an interesting point in its growth:

Last week Google Translate announced that it now has more than 200 million monthly users. As Alexis Madrigal noted, this means that Google is now translating as much in a day as all professional human translators combined complete in a year — an amount of text equivalent to a million books.

Google Translate is far from perfect … but it is one Google products for which one can unequivocally say that it does more good than harm. Because of Google Translate, millions of people access ideas that would have once remained impenetrable.

Google Translate handles 65 languages now. But as it grows, the essay suggests, it’s time for it to add more regional languages and dialects, going beyond each country’s official language (and/or its shared lingua franca) to unlock ideas and connect minds from all communities.

As TED translator Anwar Dafa-Alla comments: “In Sudan, there are 600 different ethnic groups who speak more than 400 languages and dialects. Adding more local and national languages to Google Translate is very important for the future of our humanity.”

Read the Atlantic story >>

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05 May 2012

How midwives can save lives in the Horn of Africa: Edna Adan Ismail at TEDxRC²

From TEDxRC² comes this moving story of midwife Edna Adan Ismail. We share in honor of the International Day of the Midwife, May 5, 2012.

Edna Adan Ismail is a nurse, midwife, UN diplomat, French Legion of Honour recipient and former foreign minister of Somaliland — an unrecognised, self-declared state that has been going it alone for the past 20 years. The tireless 74-year-old has poured everything she has, including her pension, into providing much-needed health care to a population with one of the highest maternal and infant mortality rates in the world — a situation that’s been exacerbated by Somalia’s long civil war, which led to the death or departure of nearly all of the country’s health care workers. In her talk at TEDxRC², Edna shared her vision for saving many more lives across the Horn of Africa, proving that “if it can happen in Somaliland, it can happen anywhere.”

Learn more about Edna Adan Ismail’s hospital

Read Nicholas Kristof’s Mother’s Day 2011 columnm, featuring Edna >>

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04 May 2012

Imagination is not a luxury: Fellows Friday with Gabriella Gomez-Mont

You’ve said that being a TED Fellow messed with your mind. Why?

Tóxico Cultura — the independent art lab and cultural salon I founded in 2007 — is very much about exploring the unmapped gray areas between artistic disciplines, creating experimental territories and temporal states of exception, since creativity and imagination have a way of becoming unbound in those types of spaces.

But since the TED Fellowship I have come to realize that I was defining “multidisciplinary” within the scope of arts and culture itself — art, design, film, literature, music, and so on. Now, because of TED, it’s become a bit more wild and untamed. Among the Fellows there are writing doctors and filmmaking scientists and space economists and space archeologists and do-it-yourself neurologists, and the list goes on and on — so many inspiring and madly creative people reinventing the edges of their own worlds.

So I’ve become fascinated by what it means to amplify and to make even more complex a multidisciplinary bridge-building platform, and what it could mean to take it further and to help generate a creative ethos in Mexico City that traverses many different territories.

So it’s blown open what art means to you.

Yes. Art at the edge of other things. And it’s blown open what it means to create multidisciplinary projects, and what it means to work in a multidisciplinary manner, what we could learn from each other if we learn to import thought structures from elsewhere, and learn to “speak” in different languages, if you will. As Wittgenstein once put it: the limits of our language are the limits of our world. And the question is how to sometimes untie those languages, limits and boundaries. There is a certain comfort in defining ourselves tightly and safely, but it also stops us from exploring what lies outside of the things we already know and who we already are.

My time with the TED Fellows has also made me become avidly curious about people and projects in Mexico focused on other areas of knowledge. I have started doing in-depth interviews and mapping different fields, and suddenly I’m seeing that there’s so much creative thought outside of arts and culture, and so many links to be made between different disciplines and people, both locally and internationally. So many things could be possible with a nudge here and there.

So that is what Tóxico will focus on: helping certain conversations catch fire by putting the right people in touch and creating meeting points, or building knowledge structures through talks, seminars or workshops around different subjects — human rights and censorship in journalism, to name one upcoming example, an urgent conversation in Mexico nowadays — all on intimate territory because I am a huge believer in the power of small encounters that lead to larger repercussions through chain reactions. I am reworking the way Tóxico functions as a catalyst, an intoxicating agent…

This all happened because of the TED Fellowship?

Oh, definitely. Before the TED Fellowship I was really happy with our projects. It’s already a large world in itself, right, working between the different disciplines that make up the arts, plus also doing my own personal projects, consulting and designing multidisciplinary art programs, guest editing international magazines, curating, writing and now directing film. But it has been so intensely inspiring to see what other Fellows are doing that I have become utterly captivated with what it means to help create an innovative and creative society across disciplines.

It has also made me ponder on the place of culture in the whole scheme of things. I still believe in art for art’s sake, of course, but I also find it really interesting to think both about how art can be provoked by other areas, as well as how other disciplines can benefit from incorporating artistic thought processes into their inner workings. What I find most alluring about the art world — the reason why I got into art in the first place, in fact — is that it manages to create territories composed of a mix between so-called fiction and so-called reality: inject life with imagination and create symbolic narratives that then have the possibility of creating worlds unto themselves. Art can become a blueprint for reality in that way, and a hypothetical playground for minds let loose.

(more…)

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04 May 2012

“The Pursuit of Happiness” — listen now to TED Radio Hour Episode 2

Now live online: The new episode of TED Radio Hour, a program from NPR and TED. “The Pursuit of Happiness” is available online now on NPR.com — and will air online on many US NPR member stations; check your local listings.

In Episode 2, “The Pursuit of Happiness,” host Alison Stewart talks with Barry Schwartz and Kathryn Schulz — and we meet Howard Moskowitz, the hero of Malcolm Gladwell’s classic TEDTalk on the perfect spaghetti sauce.

You can find the full hour-long episode, as well as each individual segment (yes, they’re each 18 minutes long), related TEDTalks and more in-depth content on n.pr/TEDradiohour and on NPR’s mobile apps.

Subscribe to the iTunes podcast to get TED Radio Hour Episode 2: “The Pursuit of Happiness” >>

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