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25 January 2006

The Sound Of Movies

BirdyTo continue on the movie-themed posts, I have always been enthralled by the powerful impact of sound and music in film.  While a student at Stanford I took a great class entitled "The Physics of Music" which would have more appropriately been entitled "Really Cool Field Trips in Music."  We visited Dolby Labs, Meyer Sound, the local Imax Theater, but the raison d'etre for taking the class was the trip to Skywalker Ranch to hear Ben Burtt speak.  Ben Burtt is a 4 time Academy Award winner for sound design (Star Wars, E.T., Raiders of the Lost Ark, Indiana Jones and the Last Crusade).  He is the guy who created the light saber sound by smashing on the guy wire of an antenna tower.  He created the bleeps of R2D2, the ambient noises of the Cantina, the breathing of Dearth Vader, and any other sound you heard in every one of the Star Wars movies.

As I sat in the temple of movie sound -- the main theater in Skywalker Ranch -- the thing that truly brought home for me the power of well-utilized sound and music in film was a simple demonstration Burtt did for us.  He played a short scene from Star Wars, first with all the sound and music in place, then stripped away the score, and then the sound effects, finally leaving just the footage with the raw sound captured at filming.  The difference was startling.  Each sound element added a powerful set of cues that helped drive the emotion and overall impact of the scene. 

Since that lecture I have often times found myself listening to a movie as much as I watch it.  I was reminded of that incredible college experience last year at TED when James Horner spoke.  As Horner deconstructed the famous scene from Titanic for which he won an Academy Award, I could hear Ben Burtt stressing the same things about emotion and emphasis.  With any luck I will get a chance this year at TED to talk with Peter Gabriel about his incredible score to the film Birdy and see what further insights he has to share. 

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Discuss Blog Post

  • David Hornik January 28 2006

    I am a huge Philip Glass fan and completely agree that his scores easily stand on their own. Interestingly, one of Glass's scores that I think stands the least on its own, also happens to be the one that may well be his best. It is the score to The Thin Blue Line by Errol Morris. I firmly believe that Glass's music really makes that movie. Without the natural tension of Glass's minimalism, I don't think The Thin Blue Line would have been nearly as effective.

  • David Adams January 28 2006

    I had totally forgotten about "Birdy". What a great movie and a brilliant soundtrack. One of the best movie endings of all time, after Butch & Sundance.

  • Linda Cunningham January 27 2006

    Almost any movie that Philip Glass has scored has music that can stand on its own, particularly the Qatsi trilogy....

  • BWJones January 25 2006

    It should be noted that one of the greatest soundtracks of all time (Interestingly also created by Peter Gabriel et. al.) and able to stand on it's own without any reference to the movie was Passion, the soundtrack to The Last Temptation of Christ.


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