Comments on: The wide open future of the art museum: Q&A with William Noel http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/ The TED Blog shares interesting news about TED, TEDTalks video, the TED Prize and more. Wed, 22 May 2013 07:35:47 +0000 hourly 1 http://wordpress.com/ By: Finding Archimedes in a Prayer Book | Weekends in Paradelle http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-32045 Sat, 02 Mar 2013 13:29:31 +0000 http://blog.ted.com/?p=58296#comment-32045 [...] Read more about William Noel in the TED Blog Q&A >> [...]

]]> By: Why your institution should free up its images and metadata | L.A.M. Chops http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-29451 Fri, 18 Jan 2013 00:23:35 +0000 http://blog.ted.com/?p=58296#comment-29451 [...] – largely those focused on financial gain – are still fighting for image control. William Noel has commented: “The policymakers…don’t like the idea that reproductions of these images [...]

]]> By: “Can I Use This?” How Museum and Library Image Policies Undermine Education |e-Literate http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-24140 Mon, 26 Nov 2012 15:18:46 +0000 http://blog.ted.com/?p=58296#comment-24140 [...] The museum’s quandary Repositories are often dependent on images that their providers—primarily museums and libraries—insist need to be locked down (and this even includes work in the public domain). Why? [...]

]]> By: The Archimedes Palimpsest « David Bjoerling Jensen http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-17217 Thu, 23 Aug 2012 19:04:15 +0000 http://blog.ted.com/?p=58296#comment-17217 [...] The project is headed by William Noel, Curator of Manuscripts and Rare Books at the Walters Art Museum.  He gave a brilliant TED talk, which encapsulates this fascinating project.  If you find this as interesting as I do, I highly recommend watching this short clip: [...]

]]> By: Wide-Open Apocalypse. « The Sonny Wilkins Chronicle http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-14145 Thu, 07 Jun 2012 13:58:28 +0000 http://blog.ted.com/?p=58296#comment-14145 [...] -  TEDblog:  The Wide Open Future Of The Art Museum You want to go to something that is made literally of flesh, rather than organized energy that is going to disappear at the press of a keystroke. There is nothing like touching history, smelling history, reading it from a 700-year-old book. There are lots of things that digital data can do, things that medieval manuscripts cannot do — aggregating, virtually putting together a medieval library of things which are not disparate, searching it once it’s been transcribed — but there’s a lot digitizing an object can’t do. And for that, people are going to have to go and consult or see the original. (But the way the public is going to see that the original is there is by first seeing a digital avatar on the web. That’s the point.) [...]

]]> By: Merete Sanderhoff http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-14121 Wed, 06 Jun 2012 07:52:59 +0000 http://blog.ted.com/?p=58296#comment-14121 There are a growing number of GLAM institutions adopting Creative Commons licenses to allow people to reuse, share, and build on their assets. Check out this list: http://wiki.creativecommons.org/GLAM

I am proud that my institution is one of them!

]]> By: Issue 2 (5 June 2012) | The Digital Museum http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-14114 Tue, 05 Jun 2012 14:43:27 +0000 http://blog.ted.com/?p=58296#comment-14114 [...] Art Museum curator William Noel on the choice of Creative Commons licences to release their collection data on the TED [...]

]]> By: Art in the Digital World: Property of the public? | http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-14109 Tue, 05 Jun 2012 08:22:29 +0000 http://blog.ted.com/?p=58296#comment-14109 [...] more: http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/ Share this:TwitterFacebookPinterestLinkedInLike this:LikeBe the first to like this post. This [...]

]]> By: zam md http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-14092 Mon, 04 Jun 2012 13:52:17 +0000 http://blog.ted.com/?p=58296#comment-14092 I am totally agree with this That’s what history is, and that’s what makes history alive.

]]> By: Four short links: 30 May 2012 | Share Blog http://blog.ted.com/2012/05/29/the-wide-open-future-of-the-art-museum-qa-with-william-noel/comment-page-1/#comment-14033 Wed, 30 May 2012 11:11:18 +0000 http://blog.ted.com/?p=58296#comment-14033 [...] Wide Open Future of the Art Museum (TED) — text of an interview with curator at the Walters Art Museum about CC-licensing content: reasons for it, value to society, value to the institution. What I say in a very abbreviated form in my talk is that people go to the Louvre because they’ve seen the Mona Lisa; the reason people might not be going to an institution is because they don’t know what’s in your institution. (via Carl Malamud) [...]

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