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	<title>TED Blog &#187; Academy of Motion Picture Arts and Sciences</title>
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		<title>TED Blog &#187; Academy of Motion Picture Arts and Sciences</title>
		<link>http://blog.ted.com</link>
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		<title>How movies can influence technology</title>
		<link>http://blog.ted.com/2013/02/28/how-movies-can-influence-technology/</link>
		<comments>http://blog.ted.com/2013/02/28/how-movies-can-influence-technology/#comments</comments>
		<pubDate>Thu, 28 Feb 2013 12:00:40 +0000</pubDate>
		<dc:creator>Thu-Huong Ha</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Live from TED2013]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[John Underkoffler]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[TED2013]]></category>

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		<description><![CDATA[Last night at TED2013, the Motion Picture Association of America hosted a nighttime discussion on the topic of how film has shaped some of modern day&#8217;s most cutting-edge technology. The prime example: John Underkoffler&#8217;s user interface inspired by his work on Minority Report. We were joined by Industrial Light &#38; Magic, the visual effects division of [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.ted.com&#038;blog=14795620&#038;post=71257&#038;subd=tedconfblog&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-71564" alt="TED2013. Long Beach, CA. February 25 - March 1, 2013. Photo: Michael Brands" src="http://tedconfblog.files.wordpress.com/2013/02/mpaa-photo.jpeg?w=900&#038;h=599" width="900" height="599" /></p>
<p>Last night at TED2013, the Motion Picture Association of America hosted a nighttime discussion on the topic of how film has shaped some of modern day&#8217;s most cutting-edge technology. <a href="http://www.ted.com/talks/john_underkoffler_drive_3d_data_with_a_gesture.html" class="video_teaser" target="_blank"><img src="http://images.ted.com/images/ted/174124_240x180.jpg" alt="John Underkoffler: Pointing to the future of UI" width="132" height="99" />John Underkoffler: Pointing to the future of UI<span class="play"></span></a>The prime example: John Underkoffler&#8217;s <a href="http://www.ted.com/talks/john_underkoffler_drive_3d_data_with_a_gesture.html" target="_blank">user interface inspired by his work on <em>Minority Report</em></a>.</p>
<p>We were joined by <a href="http://www.ilm.com/" target="_blank">Industrial Light &amp; Magic</a>, the visual effects division of Lucasfilm, responsible for films like the <em>Star Wars</em>, <em>Harry Potter</em>, <em>Indiana Jones</em> and <em>Mission Impossible</em> franchises. The aim of their work is primarily to inspire people with new fictional technologies, but even to encourage longing for those technologies to exist. Lucasfilm Chief Strategy Officer Kim Libreri and Industrial Light &amp; Magic Art Department Creative Director David Nakabayashi discussed how technology gets involved before a script is even written. In the case of <em>Minority Report</em>, Spielberg consulted 50 scientists to ask them what the future would look like. And it seems films can even inspire real-world technology &#8212; they gave the example of digital surgery, which was inspired by <em>The Matrix</em>.</p>
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			<media:title type="html">TED2013. Long Beach, CA. February 25 - March 1, 2013. Photo: Michael Brands</media:title>
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			<media:title type="html">TED2013. Long Beach, CA. February 25 - March 1, 2013. Photo: Michael Brands</media:title>
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		<title>The Oscars Best Picture field contains two TEDsters</title>
		<link>http://blog.ted.com/2013/01/10/the-oscars-best-picture-field-contains-two-tedsters/</link>
		<comments>http://blog.ted.com/2013/01/10/the-oscars-best-picture-field-contains-two-tedsters/#comments</comments>
		<pubDate>Thu, 10 Jan 2013 18:32:54 +0000</pubDate>
		<dc:creator>Kate Torgovnick</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Philipp Engelhorn]]></category>
		<category><![CDATA[TED news]]></category>

		<guid isPermaLink="false">http://blog.ted.com/?p=67176</guid>
		<description><![CDATA[When the Academy of Motion Picture Arts and Sciences announced the contenders for Best Picture this morning, we noticed two familiar faces in the field. We were pleased to see the stylish thriller Argo among the nominees, as director Ben Affleck shared with us the “8 TED Talks that amazed me” in the fall. We [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.ted.com&#038;blog=14795620&#038;post=67176&#038;subd=tedconfblog&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-67177" alt="Oscar-nominees" src="http://tedconfblog.files.wordpress.com/2013/01/oscar-nominees.jpg?w=900"   /></p>
<p>When the <a href="http://www.oscars.org/" target="_blank">Academy of Motion Picture Arts and Sciences</a> announced the contenders for Best Picture this morning, we noticed two familiar faces in the field. We were pleased to see the stylish thriller <i>Argo</i> among the nominees, as director Ben Affleck shared with us the “<a href="http://www.ted.com/playlists/32/ben_affleck_8_talks_that_amaz.html">8 TED Talks that amazed me</a>” in the fall. We were also excited to see that <i>Beasts of the Southern Wild, </i>executive produced by longtime TED community member <a href="http://www.ted.com/profiles/130500">Philipp Engelhorn</a>, got a Best Picture nod. A visually stunning film with an 8-year-old star (who this morning became the youngest Best Actress nominee ever), <i>Beasts </i>tells the story of a fantasty America where a levee divides Louisiana from flood land, but many choose to live their lives past its reach. It’s a beautiful, powerful and truly creative film.</p>
<p>Congratulations to all the filmmakers behind <i>Argo</i> and <i>Beasts</i>, as well as to those who created fellow nominees <i>Amour</i>, <i>Life of Pi</i>, <i>Lincoln</i>, <i>Silver Linings Playbook</i>, <i>Django Unchained</i>, <i>Zero Dark Thirty</i> and <i>Les Miserables</i>.</p>
<p>And we’d like to thank the Academy for this TED Talk.<br />
<div class="embed-ted"><iframe src="http://embed.ted.com/talks/don_levy_a_cinematic_journey_through_visual_effects.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/don_levy_a_cinematic_journey_through_visual_effects.html">Don Levy: A cinematic journey through visual effects</a></b><br />
How far have visual effects come in the 110 years since Georges Méliès’ <i>A Trip to the Moon</i>? In this talk from TED2012, Don Levy takes us on a journey, created with the help of the Academy of Motion Picture Arts and Sciences.</p>
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		<title>9 talks about the making of movie magic</title>
		<link>http://blog.ted.com/2013/01/04/8-talks-about-the-making-of-movie-magic/</link>
		<comments>http://blog.ted.com/2013/01/04/8-talks-about-the-making-of-movie-magic/#comments</comments>
		<pubDate>Fri, 04 Jan 2013 17:47:08 +0000</pubDate>
		<dc:creator>Kate Torgovnick</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Don Levy]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[playlist]]></category>
		<category><![CDATA[TED2012]]></category>
		<category><![CDATA[TEDTalks]]></category>
		<category><![CDATA[visual effects]]></category>

		<guid isPermaLink="false">http://blog.ted.com/?p=67014</guid>
		<description><![CDATA[“Movies have proved to be the ultimate medium for magic,” says Don Levy in today’s talk. A member of the Academy of Motion Picture Arts and Sciences and former senior vice president of marketing and communications at Sony Pictures, Levy has always been fascinated by the sleights of hand that filmmakers use to create illusions. [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.ted.com&#038;blog=14795620&#038;post=67014&#038;subd=tedconfblog&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p style="text-align:left;"><div class="embed-ted"><iframe src="http://embed.ted.com/talks/don_levy_a_cinematic_journey_through_visual_effects.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div>“Movies have proved to be the ultimate medium for magic,” says Don Levy in <a href="http://www.ted.com/talks/don_levy_a_cinematic_journey_through_visual_effects.html">today’s talk</a>.</p>
<p>A member of the <a href="http://www.oscars.org/">Academy of Motion Picture Arts and Sciences</a> and former senior vice president of marketing and communications at Sony Pictures, Levy has always been fascinated by the sleights of hand that filmmakers use to create illusions. And he knows he is far from alone. In the 117 years since the Lumière Brothers terrified audiences with their <i>Train Pulling Into a Station</i> (1896), Levy explores how visual effects have evolved.</p>
<p>“With complete control of everything the audience can see, movie makers have created an arsenal of techniques to further their deceptions,” says Levy. “Playing with the world and our perception of it really is the essence of visual effects.”</p>
<p>But Levy knows that words cannot capture the goosebump-raising experience of seeing something wonderful on a big screen. So, with the help of the Academy, he created an <a href="http://www.ted.com/talks/don_levy_a_cinematic_journey_through_visual_effects.html">exclusive video for TED showing the evolution of effects</a>. This thrilling montage pairs similar clips from different points in the history of film &#8212; George Méliès’ <i>A Trip to the Moon</i> (1902) compared to <i>2001: A Space Odyssey</i> (1968’s Academy Award winner for Visual Effects) and <i>Avatar</i> (Visual Effects Oscar winner in 2009), and the crowd scenes of <i>Ben Hur</i> (1925) contrasted with those in <i>Gladiator</i> (which won the 2000 Oscar for Visual Effects).</p>
<p><a href="http://www.ted.com/talks/don_levy_a_cinematic_journey_through_visual_effects.html">Watch Levy’s talk</a>, which is a feast for the eyes and imagination. Here, see eight more talks about movie magic.</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/rob_legato_the_art_of_creating_awe.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/rob_legato_the_art_of_creating_awe.html">Rob Legato: The art of creating awe</a></b><br />
Rob Legato is the visual effects master behind <i>Apollo 13, Titanic </i>and <i>Hugo. </i>In this clip-filled talk from TEDGlobal 2012, he shares how he recreates events that actually happened &#8212; making them both more fantastical and more authentic at the same time. (Bonus: want to know Legato’s favorite visual effects? Check out the TED Blog post “<a href="http://blog.ted.com/2012/08/17/an-oscar-winning-visual-effects-supervisor-picks-the-5-movies-that-floored-him-visually/">An Oscar-winning visual effects supervisor picks the 5 movies that floored him visually</a>.”)</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/ed_ulbrich_shows_how_benjamin_button_got_his_face.html" width="586" height="329" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><strong><a href="http://www.ted.com/talks/lang/en/ed_ulbrich_shows_how_benjamin_button_got_his_face.html">Ed Ulbrich: How Benjamin Button got his face</a><br />
</strong>Most movies that portray the same character at wildly different ages opt to use different actors for the roles. But not <em>The Curious Case of Benjamin Button.</em> Digital effects master Ed Ulbrich, from Digital Domain, shares how his team dramatically aged Brad Pitt 45 years for the film. While their initial reaction upon the greenlighting of the film was panic, they went on to win an Oscar for the work.</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/beeban_kidron_the_shared_wonder_of_film.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/beeban_kidron_the_shared_wonder_of_film.html">Beeban Kidron: The shared wonder of film</a></b><br />
Human beings create identities through narratives. In this talk from TEDSalon London Spring 2012, British filmmaker Beeban Kidron &#8212; director of <i>Bridget Jones: The Edge of Reason</i> &#8212; shares why she thinks it’s important for children to watch films, both new and old. “Cinema is arguably the 20th century’s most influential art form … [But] we are increasingly offered a diet in which sensation, not story, is king,” says Kidron. “If we could raid the annals of 100 years of film, maybe we could build a narrative that would deliver meaning to the fragmented and restless world of the young.”</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/james_cameron_before_avatar_a_curious_boy.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/james_cameron_before_avatar_a_curious_boy.html">James Cameron: Before Avatar … a curious boy</a><br />
</b>Director James Cameron created the incredible alien world of <i>Avatar</i>, and brought us all back to <i>Titanic</i>. In this talk from TED2010, he shares how a childhood filled with curiosity &#8212; at both the news of the late ‘60s and the science-fiction of the day &#8212; shaped the realities he’s creating now.</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/jeff_skoll_makes_movies_that_make_change.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/jeff_skoll_makes_movies_that_make_change.html">Jeff Skoll makes movies that matter</a></b><br />
In this talk from TED2007, producer Jeff Skoll shines a light on another type of movie magic &#8212; the ability to make social issues come to life. He shares the vision of his film company, Participant Productions, behind <i>An Inconvenient Truth,</i> and why he’s compelled to use this medium for good.</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/j_j_abrams_mystery_box.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/j_j_abrams_mystery_box.html">JJ Abrams: The mystery box</a></b><br />
Writer, director and producer JJ Abrams layers mysteries in his television series <i>Alias </i>and <i>Lost</i>, and in his big-screen reimagining of <i>Star Trek</i>. At TED2007, Abrams credits his imagination to his grandfather, who he calls the “ultimate deconstructor,” always intent on figuring out how things work.</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/jehane_noujaim_inspires_a_global_day_of_film.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/jehane_noujaim_inspires_a_global_day_of_film.html">Jehane Noujaim wishes for a global day of film</a></b><br />
Can movies bring us all together? Yes, says filmmaker Jehane Noujaim, who made the powerful documentary <i>Control Room</i>. In this talk from TED2006, she accepts the TED Prize and shares her wish: for the world to learn more about each other through a day of collective movie-watching.</p>
<p><div class="embed-ted"><iframe src="http://embed.ted.com/talks/franco_sacchi_on_nollywood.html" width="560" height="315" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></div><b><a href="http://www.ted.com/talks/franco_sacchi_on_nollywood.html">Franco Sacchi tours Nigeria’s booming Nollywood</a></b><br />
Hollywood isn’t the only game in town when it comes to creating spectacle on film. In this talk from TEDGlobal 2007, Franco Sacchi shares the story of Nollywood, Nigeria’s booming film industry. These filmmakers, often with budgets of less than $10K, shoot their features guerilla-style, sometimes in as little as a week.</p>
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