Hiding in New York No. 7 — Made in China, 2012. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Liu Bolin’s images invite a game akin to Where’s Waldo?. In some of the Chinese artist’s incredible photos, it’s clear where he is standing; in others, like the one above, it’s much harder to spot the outline of his body at all. It’s for this that Bolin has been called “The Invisible Man.”

Liu Bolin: The invisible manIn today’s TED Talk, Bolin shares the meaning behind these images — that they are a way to examine the relationship between culture and its development, and to speak for those who are rendered invisible by the Chinese government, by consumer culture or simply by the circumstances of history.

“From the beginning, this series has a protesting, reflective and uncompromising spirit,” says Bolin.  “I think that in art, an artist’s attitude is the most important element. If an artwork is to touch someone, it must be the result of not only technique, but also the artist’s thinking and struggles in life.”

In this talk, Bolin shows us the very first image in the series, taken in November of 2005. He reveals many, many more images too, giving a peak into his process of being painted into the background — which can take anywhere from 3 to 4 hours to 3 to 4 days. The talk ends with a timelapse, showing how Bolin disappeared into the TED stage. Watch the talk now »

Meanwhile, in this gallery, Bolin shares many more of his fantastical and powerful images, courtesy of Eli Klein Fine Art.

Hiding in the City No. 92 — Temple of Heaven, 2010. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Teatro alla Scala, 2010. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City — Mobile Phone, 2012. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City No. 91 — Great Wall, 2010. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City — Family Photo, 2012. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City No. 86 — Bird’s Nest, 2009. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City No. 16 and No. 17 — People’s Policeman, 2006. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Dragon Series — Panel 3 of 9, 2010. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City No. 71 — Bulldozer, 2008. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Hiding in the City No. 94 — In The Woods, 2010. Photo: courtesy of Eli Klein Fine Art, © Liu Bolin

Read a Q&A with Bolin from TED2013, in which he talks a bit more about his process »

For more information on Liu Bolin, and to see much more of his work, head to his site at Eli Klein Fine Art »

On Thursday at TED2013, Chinese artist Liu Bolin talked about his remarkable photographic installations, in which he paints himself (and sometimes other people) with perfect camouflage to disappear into a busy background. His talk closed with a photo of Liu in the theater at Long Beach, disappearing himself into the stage with paint and pattern over the course of an evening. Watch the timelapse above to understand his process, which involves a lot of people saying “A little to the left… a little to the left …” I caught up with him to discuss.

Tell me about your process.

For the talk, I stood up on stage with my outfit pre-painted, and then one of my assistants worked with the camera and stood back to instruct the other painter on what to do, where to paint, what colors to use, until from the camera I appear invisible.

What inspires you to make a painting?

That’s a perplexing question for me. When I was preparing for the talk initially I thought I would prepare a talk about art, but then I realized it’s really difficult to talk about pure art in China, because it’s always tied to survival. My life in China has always been adding a lot of things to my physical body and mental, emotional state. For example, in my piece “Supermarket,” it has an actual weight on my body.

What makes an ideal shot?

Two things: position of camera and focus. Focus is the most important. For the piece I did for TED, the stage is very colorful and red, so I needed reds and pinks.

You mentioned in your talk that it’s not just an artist’s work but what they stand for. Can you talk more about that?

There’s a difference between Chinese artwork and foreign artwork. As a Chinese artist, I ask a lot of questions about society in my work. When I am abroad, though — for example when I went to the Louvre — because I’m usually overwhelmed by my artwork, I have to make art as a souvenir. The TED piece is more of the latter, a form of memory or a souvenir. This year I have a new plan. I think the TED stage will be the highlight of my new series, Happy New City. In the future I will create new kinds of art. My talk was as a summary to conclude what I’ve done before.

What kind of art do you enjoy?

First of all, that art has to move me. The creator of that art doesn’t have to be a famous person. The artwork I’m most interested in right now are those that take the subject from real life, such as mobile phones, because most people won’t think of those things as art objects. But through the work of this artist, people realize those objects can be art. This kind of art moves me.

Photo: James Duncan Davidson

Can a person disappear in plain sight? That’s the question Liu Bolin‘s remarkable works all seem to ask. The Beijing-based artist is sometimes called “The Invisible Man” because in nearly all his art, Bolin is front and center — and completely unseen. Bolin aims to draw attention to social and political issues by dissolving into the background of his work.

Photo: Courtesy Eli Klein Fine Art

When Bolin works, he stands as still as he can for as long as he can against the background he plans to disappeared into. He wears a suit, and his assistants paint over the suit and his face. When the camera is placed directly in front of him he appears indistinguishable from the scene behind him. A simple painting takes 3 to 4 hours. Something as complicated as “Supermarket,” below, takes 3 to 4 days. There is no Photoshop involved.

Photo: Courtesy Eli Klein Fine Art

Between 1998 and 2000, 21 million people in China were laid off during China’s great economic transition to a market economy. In his piece “Laid Off,” Bolin poses six of those laid-off workers against a green-and-white wall, disappearing them into the factory where they worked for their entire lives. Above them a slogan from the Cultural Revolution reads: “The communist period is the thriving force behind our cause.”

Photo: Courtesy Eli Klein Fine Art

As he says, “The attitude of the artist is more important than the content of the creation. It’s life’s struggles, not necessarily artistic skills, that touch people. The process of each life struggle is what we call art, regardless of its form.”

Here, the speakers who appeared in this session. Click on their name to read a recap:

Ben Affleck, straight off his Argo Oscar victory, introduced the Orchestre Symphonique Kimbanguiste.

Diana Reiss studies cognition in animals and the evolution of intelligence. She and her colleagues demonstrated that bottlenose dolphins (and Asian elephants) can recognize themselves in the mirror.

Musician Peter Gabriel is the co-founder of WITNESS, which distributes digital cameras to empower people to document human-rights abuses. A founder of the band Genesis, Gabriel is now a solo artist and record mogul, championing world music and innovation.

As Director of MIT’s Center for Bits and Atoms, Neil Gershenfeld explores the boundaries between the digital and physical worlds.

Computer scientist Vint Cerf helped lay the foundations for the internet as we know it.

Beijing-based artist Liu Bolin silently comments on modern sociopolitical conditions by dissolving into his art.

Lakshmi Pratury is the host of The INK Conference and was the co-host of TEDIndia in 2009. She talks about her new website, Billionaires of Moments.

Eleanor Longden overcame her misdiagnosis of schizophrenia to earn a master’s in psychology and demonstrate that the voices in her head were “a sane reaction to insane circumstances.”

Born in North Korea, Hyeonseo Lee left for China in 1997. Now living in South Korea, she has become an activist for fellow refugees.

Shane Koyczan makes spoken-word poetry and music. His poem “To This Day” is a powerful story of bullying and survival, illustrated by animators from around the world.