9 documentaries that you need to see this year

Posted by: Mariannator


By Marianna Torgovnick

Some documentaries show us the strange, the exotic and the unfamiliar; others make us feel anew about something so everyday, we barely thought about it before. Some of my favorite TED Talks are built around great documentary films, like Deborah Scranton’s chilling “War Tapes” and Nathaniel Kahn’s moving search for “My Father, the Architect.”

Last week, I attended the Full Frame Documentary Film Festival in Durham, North Carolina, a four-day bash featuring more than a hundred documentaries — new, classic, and invited — many of which will show theaters over the next year.

Below, find my nine favorite films from the festival, which no documentary fan should miss.

1. Stories We Tell (director Sarah Polley, 2012)
An invited film that has shown at festivals in Toronto and New York, Sarah Polley’s gorgeous documentary is structured liked a mystery in which trap doors keep opening. Once an actress, the still-young Polley has directed two feature films: Away from Her, and the enigmatic Take this Waltz. Stories We Tell literally turns the camera on Polley, her family and her friends in a quest to find the truth about her mother, who died of cancer when Polley was eleven. The youngest child in her family, Polley’s questions interrogate the meaning of love, marriage, parenting, fidelity, the meaning of fatherhood, and the possibility of creative chaos. If that sounds like a lot, it is. But this beautiful and cunningly structured film is not just wonderfully crafted — it is also haunting and evocative as Polley’s family history becomes a metaphor for, well, the stories we tell and what we mean when we tell them. Part documentary, part fictional recreation of the past, this film is 100% worth seeing.

2. Muscle Shoals (director Greg “Freddy Camalier, 2012)
A new documentary that has the impact of a musical freight train, Muscle Shoals chronicles the men and stars behind Fame Recording Studios in the small Alabama town called Muscle Shoals. Narrated by Bono (watch his talk, “The good news on poverty”), Keith Richards, Percy Sledge, Aretha Franklin, Alicia Keys and others, the film features interviews with founder Rick Hall and his surprising back-up band, The Swampers, a group of local white teenagers. They looked, as the film says, like they worked at Walmart, but found within themselves the miraculous ability to endow singers like Franklin – not to mention bands from the Stones to Traffic — with a missing ingredient called soul. The Swampers eventually become Hall’s rivals, but the film wraps the whole story in glorious music and feel-good imagery. This Southern place exudes a special charm keyed to the rhythms of the Tennessee River and its green fields. Less known than it should be to music lovers, Muscle Shoals documents a center of the music scene that rivals Motown.

3. Our Nixon (director Penny Lane, 2013)
If you could have been a fly on the wall in the Nixon White House, what would you have seen? Our Nixon answers that question by culling recently available home videos made by Doug Chapin, H.R. Haldeman and John Ehrlichman, all indicted during the Watergate scandal, all forced to resign from office and all (who knew?) avid cameramen. We don’t really see a more nuanced and likeable Nixon than popular lore records, but we do see and hear him more intimately than ever before. In one tiny image, he’s slumped into an armchair, his suit enveloping him as though it’s three sizes too big, in a way that epitomizes how this hard-working — and even talented — President was consummately a man lacking charm and grace. Near the end, Haldeman, who has resigned and is facing prison, calls a lonely Nixon, who is facing impeachment. “I love you boy. I love you like a brother,” Nixon says. You realize that this band of men, deservedly under the shadow of a history they failed to understand, had friendship and bonds of love rarely seen before in public.

4. The World According to Dick Cheney (Showtime, 2012)
Political junkies at the film festival moved on from Our Nixon to The World According to Dick Cheney, which revisits some of the most disastrous events of the George W. Bush presidency and documents the rift between Cheney — once an unchallenged force within the White House — and the President as his popularity plummeted. Part apologia, part expose, I list it as a must-see that will be available soon both on Showtime on Demand and on Netflix.

5. Manhunt (director Greg Barker, 2013)
An HBO Documentary Film that will be shown in May, Manhunt is not so much the anti Zero Dark Thirty as it is an alternative version. Taking a longer historical view, it focuses on the CIA’s twenty year search for Osama Bin Laden from the time when his disturbing messages first began arriving via video to his death in May 2011. It includes statements that most Americans never heard as a way of suggesting that Bin Laden’s death, rather than a cause for celebration — as it was for crowds in front of the White House that day — has left many questions unanswered. Two of the CIA agents shown — women in roles parallel to Jessica Chastain’s in Bigelow’s film — have since left the agency and participated in the documentary because, as one said at the Q&A after the screening, “History should not be dictated from the top.” A must-see for an informed public that remembers the World Trade Center attack of 2001, the invasion of Iraq in 2003 and everything that has happened since.

6. American Promise (directors Michèle Stephenson and Joe Brewster, 2013)
The directors began filming their 5-year-old son, Idris, when he enrolled at the prestigious Dalton School along with his childhood friend, Seun. Both African American and from solid middle class Brooklyn families, the boys seem at first to experience bumpy rides at a mostly white school, adjusting unevenly to diversity. But the film rather quickly moves beyond race to raise questions about the parents’ frenetic belief that every quiz, every paper is a make-or-break moment in their son’s rise to a productive adult life. One boy stays at Dalton; the other goes to a self-defined all-black private school instead. As it follows both families and their sons through 13 years, the film manages not just to raise questions about the families and their choices — but also to make you really care.

7. Cutie and the Boxer (director Zachary Heinzerling, 2012)
Hard drinking and hard hitting Japanese artist Ushio Shinohara is turning 80 and is a reformed alcoholic as this film opens in New York, where he shares an apartment with his much-younger wife, Noriko, also an artist. Their relationship has had its ups and downs, illustrated both through home videos and shots of the couple and their adult son in their messy apartment and studio — where the rent is, it seems chronically, overdue, despite Ushio’s success. We see them negotiate with the Guggenheim and mount an exhibit of Ushio’s latest work — a stylistic breakthrough — and of Noriko’s cartoon series based on their marriage, where the character named Cutie is Noriko herself. A tribute to marriage, love and the power of personal growth within a long-term relationship, this is a handsome and well-made film that is a portrait of two artists as well as of marriage.

8. The Record Breaker (director Brian Mc Ginn, 2012)
At just 25 minutes, this hilarious and well-made film is less than a feature and more than a short. It wins hands-down as the funniest documentary of the year. With affection and good humor, the film chronicles the daffy and obsessive activities of Keith Furman, who renamed himself Ashrita when he began to break records in the Guiness Book to honor his guru, Sri Chinmoy. We see Ashrita catch malt balls in his mouth and then catch malt balls in his mouth while riding an elephant. We see him slice apples with a samurai sword and other hilarities, aided and abetted by a group of pals who cannot resist his child-like energy and zeal. Most of all we see him train to climb to Machu Picchu on stilts, a feat most people find challenging enough on foot. The authorities ultimately turn him back but Ashrita remains, as his father (who once disowned his son but now embraces him) says, “the happiest person I know.” Whether the malt balls or the samurai sword get you most, this film should make your day.

9. A Will for the Woods (directors Amy Browne, Jeremy Kaplan, Tony Hale, Brian Wilson, 2013)
Hard to see and hard to take, this documentary has the potential to affect not just individual viewers but the American way of death. Smart, articulate psychiatrist Clark Wang is dying of lymphoma and knows it when he attempts to arrange a “green burial”: no embalming, no vault-like coffin, no institutional feel or machines—just a grave in an open, protected landscape so that he can perceive his coming death and decay as part of a natural process and it can unroll that way in real time. The documentary visits “green cemeteries” in the U.S. which preserve landscapes and make the conservation of the land in perpetuity a gift of the burial. In some extremely painful sequences, we see Clark die and his wife wash his body. Then we witness burial in a simple wood coffin and a hand-filled grave topped by natural greenery in a patch of North Carolina woods that are a protected part of a more traditional cemetery run by a caring and committed woman. Small now, the movement seems destined to grow. Their elders owe the young filmmakers a debt for making this difficult but must-see documentary that will be available online at AWillfortheWoods.com if it does not find distribution. Rather than being a downer, the film won — perhaps surprisingly — the Audience Choice award.

Marianna-TorgovnickMarianna Torgovnick is a Professor of English at Duke University and the director of the Duke in New York Program. Author of the books The War Complex and Gone Primitive, you can read much more of her work at MariannaTorgovnick.com.

Comments (22)

  • Eric K. Carr commented on Aug 29 2013

    And I forgot to mention Blackfish. It’s an astounding film, and on top of that it is creating real change as more people see it and hear about it. CNN picked it up for distribution while the filmmakers were still doing their post-premier discussion (and the film had a five minute standing ovation), which the folks at Sundance said was a record.

  • Eric K. Carr commented on Aug 29 2013

    I saw many of these at Sundance (or afterward), and agree that this is a great list. However, have to say that American Promise was horrifically bad. Hundreds of us walked out during the panel discussion, and on the bus to our next venue the entire crowd was talking about how disgustingly exploitive it was. It was such an ego project, and the poor kids in the film are violated on multiple levels throughout the film, and by its very existence.

    On the other hand, Blood Brother, which won both the Audience Choice award and the Grand Jury Prize, is not mentioned here. Blood Brother was not just the best documentary at Sundance, but was one of the best films, period. It surely deserves to be on the list.

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  • Shortfilms IN commented on Jul 25 2013

    I really liked this,Many Skills used as well. I Love it.

    Welcome to mydocumentarys.com

    The.White.Chapel Murders


  • commented on May 25 2013

    Reblogged this on chaos and creation.

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  • commented on Apr 16 2013

    Reblogged this on mrkdrster.

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  • commented on Apr 11 2013

    Reblogged this on A l i c e // P o d e n z a n a and commented:
    Nice guide to the best documentaries for 2013, by Marianna Torgovnick

  • commented on Apr 11 2013

    Some of those sound really interesting, any idea where I can catch them online?

    • Cheryl Oakley commented on Apr 29 2013

      You could try documentarylovers.com

  • commented on Apr 11 2013

    Reblogged this on rudiana'hermeczy.

  • commented on Apr 11 2013

    Reblogged this on The Mother Load and commented:
    Marianna Torgovnick attended the Full Frame Documentary Film Festival in North Carolina and shared her Top 9 on TED.

    Stories We Tell, Manhunt, American Promise and A Will For The Woods are my preferred documentaries to look out for in 2013.

    Stories We Tell is a 2012 documentary film by Sarah Polley that chronicles the story of her family, including the revelation that the filmmaker was the product of an extramarital affair. The film looks at the relationship between Polley’s parents, interviews with Polley’s siblings and other relatives, and Michael Polley’s narration of his memoir.

    Greg Barker is an American documentary filmmaker and producer. In 2011, The New York Times described Barker as “a filmmaker of artistic and political consequence.” Manhunt is about the CIA’s secret war against Al Qaeda and the hunt for Osama bin Laden. It is openly an account of events from the CIA perspective. This may seem 1-sided but there is a story to be told in this regardless.

    A documentary 13 years in the making, American Promise provides a rare look into the lives of two middle class Black families as they navigate the ups and downs of parenting and educating their sons. Daniel Fienberg of Hitfix wrote “It’s not as simple as “Kids learn better when they’re in high-achieving and diverse environments” nor “Go to school with people like you and you’ll be a better student.” Sometimes “bad” parenting yields positive results and sometimes “nurturing” leads to something counter-intuitive. In “American Promises,” choices have consequences, but institutional impediments can be just as powerful. ”

    I hadn’t heard of “Green Burials” until I came across A Will For The Woods. This doccie is about a man’s passionate wish for a legacy of green burials. Musician, folk dancer, and psychiatrist Clark Wang battles lymphoma while facing a potentially imminent need for funeral plans. Determined that his last act will not harm the environment and may even help protect it, Clark has discovered the movement to further sustainable funerals that conserve natural areas. Although he is trying to overcome his illness, Clark and his partner Jane find great comfort in the thought that his death – whenever it happens – will be a force for regeneration.

    Most of these documentaries will be in theatres this year or available for download.

  • Eric Turner commented on Apr 11 2013

    The most important documentary of the year is The End of the Road: How Money became Worthless.

  • commented on Apr 10 2013

    Reblogged this on Hey Sweetheart, Get Me Rewrite!.

  • commented on Apr 10 2013

    Reblogged this on Laura B Williams Designs and commented:
    These sound interesting.

  • Eric Rusch Sr commented on Apr 10 2013

    I really enjoy documentaries.
    Thank you for submitting some to watch.
    TED is great !

  • commented on Apr 10 2013

    Yi Seungjun’s Planet of Snail is one I would recommend.

  • Andrei Armenean commented on Apr 10 2013

    YOu must be kidding me when you put in your list the “The World According to Dick Cheney”!!! If you call that a documentary, I can fly a Jumbo jet playing angry birds on my old Nokia 5210.